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Which Sticky Fingers album is best?

Which Sticky Fingers album is best?

The following albums by Sticky Fingers are ranked highest in the greatest album charts:

  • Caress Your Soul. Sticky Fingers.
  • Land Of Pleasure. Sticky Fingers.
  • Westway (The Glitter & The Slums) Sticky Fingers.
  • Happy Endings. Sticky Fingers.
  • Yours To Keep. Sticky Fingers.

Is Sticky Fingers a country?

Sticky Fingers—Dylan Frost [lead vocals, guitar], Paddy Cornwall [bass/vocals], Seamus Coyle [lead guitar], Beaker “Beaks” Best [drums, percussion], and Freddy Crabs [keys, synth]—quietly emerged as one of Australia’s biggest acts and a buzzing force worldwide one-hundred percent independently.

Who played guitar on Sticky Fingers?

Mick Taylor
Sticky Fingers was the first Stones album without guitarist Brian Jones, who was dismissed from the band in June 1969 and drowned several days later. It was also the first on which Mick Taylor, who played guitar for the group until 1974, appeared throughout.

When was the Rolling Stones Sticky Fingers album released?

April 23, 1971
Sticky Fingers/Release date

What was The Allmusic review of Sticky Fingers?

AllMusic Review by Stephen Thomas Erlewine Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs.

When did the Rolling Stones Sticky Fingers come out?

Sticky Fingers came at a time when—on record, at least—the Rolling Stones could do no wrong. This album could reasonably be called their peak. They were called the World’s Greatest Rock’n’Roll Band for entirely too long, but if that designation ever applied, it was here.

What was the intro to Sticky Fingers satisfaction?

In the tradition of great guitar intros (“All Day and All of the Night,” “Nineteenth Nervous Breakdown,” and “Satisfaction” itself) it transfixes you: instant recognition, instant connection.

What was the first cut of Sticky Fingers?

It washes over the electric to no apparent purpose, stripping it momentarily of its authority and intensity. and so, in the first 15 seconds of the albums first cut we are presented with its major conflict: driving, intense, wide-open rock versus a controlled and manipulative musical conception determined to fill every whole and touch every base.